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The Futureheads - The Futureheads - 2004.
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The Doits - Lost, Lonely & Vicious - 2006.V/A - Pop Under The Surface Volume 4 - 2001.The John Faye Power Trip - The John Faye Power Tri.The Lapdancers - The Ghost of Alcohol and Song - 2006.The Apples in Stereo - Tone Soul Evolution - 1997.The Go Betweens - 16 Lovers Lane - 1988.The Winnerys - Daily Urban Times - 2006.The Brian Jonestown Massacre - Their Satanic Majesties' Second Request - 1996 pt2 The Brian Jonestown Massacre - Their Satanic Majesties' Second Request - 1996 pt1 If you like "Their Satanic Majesties' Second Request" get it here! Travelling through the past, darkly, the Massacre arrives on the other side unscathed their music is too rich to be merely retro, and too knowing to be merely slavish - the Stones themselves haven't made a record this strong or entertaining in years. Opening with the brilliant "All Around You (Intro)," a tongue-in-cheek guide to the mind-altering journey ahead, the record is a kaleidoscopic, drug-fueled freakout - like the Stones' namesake album, Second Request is painted by Eastern drones and psychedelic tangents, each track bubbling with dozens of sound effects including sitars, mellotrons, farfisas, didgeridoos, tablas, congas, and glockenspiels. "acoustic guitar, sitar, clavs, mellotron, tambora, echoplex-feedback-generator, electric guitar, dumbek, tablas, flute, farfisa, recorder, tape loops, drums, acoustic bass, shinni, chanter, didgeridoo, vox jaguar, French horn, viola, tuba, SMS serge, 12-string electric guitar, harmonium, tambourines, cabasa, conga, jimbe, accordion, celeste, glockenspiel, bells, fish, piano, hammond, cello, wolf horn, maracas, weird-fucking-Chinese-shit, tyco drum, vibes, woodwinds and other top secret crap.Truth in advertising: the Brian Jonestown Massacre's sophomore album does, as promised, spring forth from the Rolling Stones' long-underrated 1967 masterpiece Their Satanic Majesties Request, copping not only Mick and Keith's leering bad-boy attitude but also their their rock-and-roll-circus spirit. The liner notes also contain a list of instruments appearing on the album: Mara Keagle – guitar, percussion, vocals ("Anemone"), backing vocals.Matt Hollywood – bass, guitar, vocals, backing vocals.Anton Newcombe – guitar, sitar, organ, vocals."Slowdown (Fuck Tomorrow)/Here It Comes" – 6:46.
THEIR SATANIC MAJESTIES SECOND REQUEST RAR PROFESSIONAL
Critical reception Professional ratings Review scoresĪllMusic's Jason Ankeny wrote: "their music is too rich to be merely retro, and too knowing to be merely slavish – the Stones themselves haven't made a record this strong or entertaining in years." Track listing Īll songs on the album were written by Anton Newcombe, except for "No Come Down" and "Miss June '75", written by Matt Hollywood. The song "Donovan Said" is itself a tribute to Donovan's "The Fat Angel", mimicking the vocal patterns of the verse at about a 3/4's of the speed. The opening track, All Around You (Intro), pays tribute to the showmanship of the Stones, calling one and all to the psychedelic trip that they are about to experience. Following in the footsteps of Keith Richards and Brian Jones, BJM capture and explore the psychedelic rock sound of the late 1960s. Their Satanic Majesties' Second Request reveals vast experimentation with Indian drones, sitars, mellotrons, farfisas, didgeridoos, tablas, congas, and glockenspiels.
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The album's title and music is influenced by The Rolling Stones' 1967 album Their Satanic Majesties Request. Their Satanic Majesties' Second Request was recorded in 1995 at Bloody Angle Studios.